Basilica of St. Lawrence Photograph by Gray Artus

Basilica of St. Lawrence

by Gray Artus

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Framed Print

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Acrylic Print

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Title

Basilica of St. Lawrence

Artist

Gray Artus

Medium

Photograph - Photographic Print

Description

The Asheville area contains the former homeplace and grave of Rafael Guastavino, as well as two excellent examples of his unique building system.

Rafael Guastavino (1842-1908) an architect and builder of Spanish origin, came to Asheville, North Carolina to work on the Biltmore House in the mid-1890s. Liking the area, he bought land and built a house near Black Mountain (the present site of Christmount) and in 1905 joined forces with the local Catholic community and fellow architect R.S. Smith to design and build St. Lawrence Catholic Church. The church and the former homesite are both on the National Register Of Historic Places. Biltmore House is a National Historic Landmark.

Rafael Guastavino had emigrated to the United States from Barcelona in 1881. There he had been a successful architect and builder, designing large factories and homes for the industrialists of the region of Catalan. He was also credited there with being responsible for the revival of an ancient tile and mortar building system that had been used in Catalonia and other parts of Spain for centuries. This method of building uses layers of thin tile bedded in layers of mortar to create curved horizontal surfaces. Floors, roofs, ceilings and stairs can all be formed with this system, usually in the shape of vaults or domes. Perhaps Middle Eastern in origin, this way of building creates a strong, fireproof, attractive surface.

In St. Lawrence Catholic Church every horizontal surface in the building is made of this combination of tile and mortar. The building also houses the crypt of Rafael Guastavino.

By 1900 Guastavino had successfully transferred his patented tile building method to the US, and was working for the leading architects of this country. His work is now found in over a thousand buildings in this country, mainly in the Northeast, particularly in New York City and Boston. Those buildings include, Grant's Tomb, the Great Hall at Ellis Island, Grand Central Station,Carnegie Hall, and the chapel at West Point. In North Carolina his work is found in the Duke Chapel in Durham, the Jefferson Standard Building in Greensboro, the Motley Memorial in Chapel Hill and St. Mary's Catholic Church in Wilmington.

The Gustavino system represents a unique architectural treatment that has given America some of its most monumental spaces .... It deserves to be preserved and treated with care.

Thomas H.M. Prudon
Progressive Architecture
(September, 1989) p. 138